Step aside, stuffy art norms - Sir Grayson Perry is back in town, and he’s crashing the party at the Wallace Collection with an explosion of colour, wit, and a charmingly cheeky attitude, Anji Connell unveils

In a flamboyant celebration of his 65th birthday, Perry invites us into a sumptuous world rich with imagination and psychological nuance, where art becomes the ultimate conversation starter. Entitled “Delusions of Grandeur,” this exhibition is nothing short of a whimsical rollercoaster ride through Perry’s psyche, revealing his bold new works inspired by the illustrious pieces within the Collection. Perry channels his inner raconteur, adopting the persona of Shirley Smith - his delightfully quirky alter ego who fancies herself the rightful heir to Wallace’s treasures.

As you meander through the gallery, prepare for a delightful onslaught of Perry’s signature ceramics, textiles, and sculptures, each imbued with a playful spirit and sharp commentary. One moment, you’re gazing at a touching homage to the past; the next, you’re confronted with a raucous mix of colour and craftsmanship.

“Delusions of Grandeur” conjures the image of Perry exploring a mystical attic, meticulously handpicking a collection of long-forgotten treasures that effortlessly combine the enchanting allure of Old Masters with a modern twist of satire. It is a captivating assortment that makes you chuckle while simultaneously encouraging deeper contemplation. Whether through playful reinterpretations or clever juxtapositions, Perry's work offers a delightful journey that resonates on both a humorous and reflective level. Each piece serves as a visual feast and a thought-provoking commentary on modern life, making the reading experience intellectually stimulating and genuinely enjoyable.

The pièce de résistance? The transformation of the Wallace Collection itself into an imaginary family home. Here, ancestral portraits aren't just objects; they’re the long-lost relatives you never knew you had, all prone to gossip about who’s really the "favourite" in the family. With each artwork adorned with Perry’s signature irreverence, he invites us to question the notions of heritage and what it truly means to belong in a chaotic world. Perry dives headfirst into themes of home, decorum, and the age-old debate of refinement versus authenticity. His work struts confidently down the fine line of beauty and brutality, allowing us to ponder: Can the feminine and the masculine coexist in such cosy, decorative harmony? Perry tackles this question with bravado; the result is as vibrant as the works themselves.

Every corner of “Delusions of Grandeur” bursts with layers of meaning, social commentary, and a dash of self-deprecation, making for a riveting experience. As you navigate this carefully constructed labyrinth of art, you can’t help but appreciate Perry’s ability to transform personal delusions into collective truths. It’s a reminder that sometimes, the best way to face our realities is with a sprinkle of humour and a splash of avant-garde creativity.

In an art world often shackled by pretension, Grayson Perry’s exhibition is a refreshing breath of fresh air - a dazzling feast for the senses and intellect, woven with stories that amuse and provoke -  it isn’t merely an exhibition; it's a jubilant celebration of life, art, and everything in between. So, don your most fabulous hat and prepare to be entertained - you won’t want to miss this outlandishly fun encounter with Perry's artistry. 

Showing until 26 October 2025